Michael Clune

• "'Whatever Charms Is Alien': John Ashberry's Everything" from Criticism (pdf)
• "Orwell and the Obvious" from Representations (pdf)

Kimberly Emmons

• “All on the List: Uptake in Talk about Depression” (pdf)
• “Rethinking Genres of Reflection: Student Portfolio Cover Letters” (pdf)

Chris Flint

• “The Eighteenth-Century Novel and Print Culture: A Proposed Modesty” from A Companion to the Eighteenth-Century English Novel and Culture (pdf)
• “‘The Family Piece’: Oliver Goldsmith and the Politics of the Everyday in Eighteenth-Century Domestic Portraiture” from Eighteenth-Century Studies (pdf)
• “Speaking Objects: The Circulation of Stories in Eighteenth-Century Prose Fiction” from P.M.L.A. (pdf)

T. Kenny Fountain

• "Anatomy Education and the Observational-Embodied Look" from Medicine Studies (pdf)

Sarah Gridley

• Weather Eye Open (link)
• Green is the Orator (link)
• "March Hares and Wild Trout: Against the Domestication of Poetry" in Poets on Teaching: a Sourcebook (University of Iowa, 2010)
• "Slash" in A Broken Thing: Poets on the Line (University of Iowa Press, 2011)

Mary Grimm

• “On Not Having Cleaned the House” Winner of the Annie Dillard Award for Creative Non-Fiction from The Bellingham Review (pdf)
• “The Queen of Hell” from Mid-American Review (pdf)

Megan Swihart Jewell

• "Between Poet and (Self-)Critic: Scholarly Interventionism in Rachel Blau DuPlessis's Drafts" from Contemporary Women's Writing (pdf)

Kurt Koenigsberger

• “The Novel and the Menagerie” (pdf)
• “Elephants in the Labyrinth of Empire” (JStor)

James Kuzner

• "Unbuilding the City: Coriolanus and the Birth of Republican Rome" from Shakespeare Quarterly (link)
• "Habermas Goes to Hell: Pleasure, Public Reason, and the Republicanism of Paradise Lost" from Criticism (link)

William Marling

• "The Formal Ideologme" from Semiotica (pdf)
• "Vision and Putrescence: Edogawa Rampo Rereading Edgar Allan Poe" from Poe Studies / Dark Romance
• “The Parable of the Prodigal Son: An Economic Reading” from Style (pdf)
• “From Roman Noir to Film Noir” Chapter Six of The American Roman Noir (pdf)
• “W.S. Merwin: Proflic Publisher” from Arizona Quarterly (pdf)

Todd Oakley

• “Blending Basics” with Seana Coulson, from Cognitive Linguistics (pdf)
• “Toward a General Theory of the Film Spectator” from Almen Semiotik (pdf)

Judith Oster

• “Frost's Poetry of Metaphor” (pdf)
• “See(k)ing the Self: Mirrors and Mirroring in Bi-Cultural Texts” (pdf)
• “Whose Frost? The Biographer, the Poet, and the Reader” (pdf)

William Siebenschuh

• "Cognitive Processes and Autobiographical Acts" from Biography (pdf)
• “Hardy and the Imagery of Place” from SEL Studies in English Literature 1500-1900 (Word file)

Robert Spadoni

• "Old Times in Werewolf of London" fromThe Journal of Film and Video
• “The Old Dark House and the Space of Attraction” from Cinémas (pdf)
• "Strange Botany in Werewolf of London" from Horror Studies (pdf)
• “The Figure Seen from the Rear, Vitagraph, and the Development of Shot/Reverse Shot” from Film History (pdf)
• “The Uncanny Body of Early Sound Film” from The Velvet Light Trap (pdf)

Thrity Umrigar

• Bombay Time An excerpt from the novel (Word file)

Athena Vrettos

• “Defining Habits: Dickens and the Psychology of Repetition” from Victorian Studies (pdf)
• “Dying Twice: Victorian Theories of Deja Vu” from Disciplinarity at the Fin de Siecle (pdf)