Faculty Publications
Michael Clune
- "'Whatever Charms Is Alien': John Ashberry's Everything" from Criticism (pdf)
- "Orwell and the Obvious" from Representations (pdf)
Kimberly Emmons
- “All on the List: Uptake in Talk about Depression” (pdf)
- “Rethinking Genres of Reflection: Student Portfolio Cover Letters” (pdf)
Chris Flint
- “The Eighteenth-Century Novel and Print Culture: A Proposed Modesty” from A Companion to the Eighteenth-Century English Novel and Culture (pdf)
- “‘The Family Piece’: Oliver Goldsmith and the Politics of the Everyday in Eighteenth-Century Domestic Portraiture” from Eighteenth-Century Studies (pdf)
- “Speaking Objects: The Circulation of Stories in Eighteenth-Century Prose Fiction” from P.M.L.A. (pdf)
T. Kenny Fountain
- "Anatomy Education and the Observational-Embodied Look" from Medicine Studies (pdf)
Sarah Gridley
- Weather Eye Open (link)
- Green is the Orator (link)
- "March Hares and Wild Trout: Against the Domestication of Poetry" in Poets on Teaching: a Sourcebook (University of Iowa, 2010)
- "Slash" in A Broken Thing: Poets on the Line (University of Iowa Press, 2011)
Mary Grimm
- “On Not Having Cleaned the House” Winner of the Annie Dillard Award for Creative Non-Fiction from The Bellingham Review (pdf)
- “The Queen of Hell” from Mid-American Review (pdf)
Megan Swihart Jewell
- "Between Poet and (Self-)Critic: Scholarly Interventionism in Rachel Blau DuPlessis's Drafts" from Contemporary Women's Writing (pdf)
Kurt Koenigsberger
James Kuzner
- "Unbuilding the City: Coriolanus and the Birth of Republican Rome" from Shakespeare Quarterly (link)
- "Habermas Goes to Hell: Pleasure, Public Reason, and the Republicanism of Paradise Lost" from Criticism (link)
William Marling
- "The Formal Ideologme" from Semiotica (pdf)
- "Vision and Putrescence: Edogawa Rampo Rereading Edgar Allan Poe" from Poe Studies / Dark Romance
- “The Parable of the Prodigal Son: An Economic Reading” from Style (pdf)
- “From Roman Noir to Film Noir” Chapter Six of The American Roman Noir (pdf)
- “W.S. Merwin: Proflic Publisher” from Arizona Quarterly (pdf)
Todd Oakley
- “Blending Basics” with Seana Coulson, from Cognitive Linguistics (pdf)
- “Toward a General Theory of the Film Spectator” from Almen Semiotik (pdf)
Judith Oster
- “Frost's Poetry of Metaphor” (pdf)
- “See(k)ing the Self: Mirrors and Mirroring in Bi-Cultural Texts” (pdf)
- “Whose Frost? The Biographer, the Poet, and the Reader” (pdf)
William Siebenschuh
- "Cognitive Processes and Autobiographical Acts" from Biography (pdf)
- “Hardy and the Imagery of Place” from SEL Studies in English Literature 1500-1900 (Word file)
Robert Spadoni
- "Old Times in Werewolf of London" fromThe Journal of Film and Video
- “The Old Dark House and the Space of Attraction” from Cinémas (pdf)
- "Strange Botany in Werewolf of London" from Horror Studies (pdf)
- “The Figure Seen from the Rear, Vitagraph, and the Development of Shot/Reverse Shot” from Film History (pdf)
- “The Uncanny Body of Early Sound Film” from The Velvet Light Trap (pdf)
Thrity Umrigar
- Bombay Time An excerpt from the novel (Word file)
Athena Vrettos
- “Defining Habits: Dickens and the Psychology of Repetition” from Victorian Studies (pdf)
- “Dying Twice: Victorian Theories of Deja Vu” from Disciplinarity at the Fin de Siecle (pdf)
Faculty pages with more articles:
Also see our graduate students' work at our American Modernism website