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Ph.D. Degrees
1970 - present
1970
Martha Limback Carter, A Study of Dionysiac Imagery in Kushan Art Robert Harold Getscher, James McNeill Whistler's Views of Venice
Mary Louis Shipley, Color-Appearance Modification of Texture
Roger Anthony Welchans, The Art Theories of Washington Allston and William Hunt
1972
Theron Bowcutt Butler, Giulio Mancini's "Considerations on Painting" Emma Devaprian, Influence of Western Art on Mughal Painting
Mindaugas Masvytis, The Work of M.K. Ciurlionis in Relation to His Period
1973
Thomas Eugene Donaldson, Sculptural Decoration on Hindu Temples of Orissa
Anthony Steven Calarco, Commemorative Monuments in Sixteenth Century Italy
1974
William J. Chiego, Jr., The Influence of Carle and Horace Vernet on the Art of Theodore Gericault
Arthur Frederick Jones, Regional Impressionism in Kentucky: The Art of Paul Sawyer
Sara Jane Pearman, The Iconographic Development of Cruciform Throne of Grace from the Twelfth to Sixteenth Century
Norman Eugene Magden, J. Milton Dyer, Architect
1975
Paul Grootkerk, The Wedding of Peleus and Thetis in Art and Literature of the Middle Ages and Renaissance
Diane Graybowski Scillia, Gerard David and Manuscript Illumination in the Low Countries 1480-1509
Arlene Rita Olson, Art Critics and Criticism as Found in the Daily Press of New York City at the Turn of the Twentieth Century
Ivana Spalatin , Art Towards a Definition of Naive Art: A Study of Three Yugoslav Painters
1977
Wendy Elizabeth Wood, Early Wooden Tomb Sculpture in Ancient Egypt
Henry John Anthony Kleinheinz, Pre-Ming Porcelains in the Chinese Ceramics Collection of The Cleveland Museum of Art
1978
Scott Allan Sullivan, The Dutch Game Piece
Carolyn Kinder Carr, Aspects of Iconography of St. Peter in Western Art to the Thirteenth Century
Linda York Leach, Catalogue of Indian Miniatures in The Cleveland Museum of Art
1980
Jane Glaubinger, The Etchings of Eugene Delacroix
Charlotte Rider Long, The Twelve Gods in Greek and Roman Art
1981
Carol Canda Clark, Thomas Moran's Watercolors of the American West
1982
Elayne Genishi Garrett, The British Sources of American Luminism
1983
Sheila Coffin Bills, A Chronological Study of Sino-Tibeta Metal Sculpture "1260-1450"
1984
Karen Smith, Constantin Guys: A Chronological and Stylistic Analysis of His Work
Ho-Mei Ishida, Wang Fu and the Formation of the Wu School of Painting
1986
David Ditner, 17th and 18th Century European Sculpture in The Cleveland Museum of Art
1988
Roslynne Valerie Wilson, Anatomical Illustrations from Ketham to Vesalius
William Houston Robinson, 'A Cloud in Pants' Adja Yunkers: Icons to Abstract Expressionism
1990
Geraldine Wojno Kiefer, Alfred Stieglitz and Science, 1880-1910
Holly Rarick Witchey, Pinturicchio's Saint Bernardinao of Siena Frescoes in the Bufalini Chapel, S. Maria in Aracoeli, Rome: An Observant Franciscan Commentary of the Late Fifteenth Century
1992
Mark Deka, Images of Scylla and Riding Nereids in the Tondo Reliefs of the Hellenistic Period
1994
Laura Gelfand, 15th Century Netherlandish Devotional Portrait Diptychs: Origins and Function
Stephen Kostyshyn, "Door tsoecken men vindt': A Reintroduction to the Life and Work of Peeter Baltens alias Custodis of Antwerp (1527-1584)
James Ulak, Fukutomi Zoshi: The Genesis and Transmutations of a Medieval Japanese Scatological Tale
1995
Mary Allen Porter, The Draftmanship of Jacopo Chimenti Da Empoli
Cathy Thomas, Domenico Cresti, Il Passignano (1559-1639) and the Roman Rinascità: Studies in His Religious Paintings for Rome between 1589 and 1616
1997
Joseph Bliss, The History of the Collection of Early European Bronzes at the Minineapolis Institute of Arts: A General Survey of the Collection with Critical Essays on Selected Bronzes from the Italian Renaissance and Baroque Periods
Nancy Stillwagon Carstensen, Edmund C. Tarbell's Paintings of Women in Interiors: Paintings as Moral Metaphors
James Janson, Fifteenth Century Independent Flemish Portraiture: Origins, Development and Influences
Daniel Sachs, Alfred Thompson Bricher and the Representation of Seaside Tourism, 1871-1908
Anne Swartz, Psychosexual Strategies of Enclosure: Re-reading Bourgeois and Hesse
1998
Donna Cottrell, Birds, Beast and Blossoms: Form and Meaning in Jan Van Eyck's Cloths of Honor
Stanton Thomas, Forging the Missing Links: Robert Campin and Byzantine Icons
1999
Jeffrey Grove, Robert Mapplethorpe's Self-Portraits
Jeannine O'Grody, Un Semplice Modello: Michelangelo and his Three Dimensional Preparatory Works
Henrietta Silberger, The Iconology of the Massacre of the Innocents in Late Quattrocento Sienese Art
2000
Patrick Cable, Questions of Class, Gender, Work, and Style in the Art and Life of Gustave Caillebotte
Margaret Goehring, Landscape in Late 15th-Early 16th Century Franco-Flemish Manuscript Illumination Sara Meng, Caricature, Modernity, and Artistic Identity: Peggy Bacon Between the World Wars
2001
Lisa Kiefer, The Iconography of the Visitation in Italian Renaissance Art
Roger Mandle, Aesthetics and Exhortations: Dutch Artists' Academies in the Eighteenth Century
Gene Veronesi, Domenico Morone and the Decoration of the Sagramoso Library in the Church of San Bernardino, Verona
Erin Webster, Marcus Gheeraerts the Elder adn the Language of Art: Images with Text in the Elizabethan Renaissance
2002
Todd Herman, Critical (mis) Fortunes and “Period Eyes:” Assessing the Career of Bonifazio di Patati in 16th Century Venice
Lloyd Ellis, Raffaello Borghini's Il Riposo: A Critical Study and Annotated Translation
Siobhán Conaty, Italian Futurism: Gender, Culture, and Power
Nancy Clay Marsteller, Sir Edward John Poynter and His Paintings of the Female Nude: Influences and Ideals
Virginia Spivey, Performing Relationships: Gendered Subjectivity in the Work of Robert Morris
2003
James Ellis, The Fourteenth Street School
Juilee Decker, The Possibilities of Print: John Constable, English landscape , and the chiaroscuro of nature
Patricia Richmond, Gender and the Forms of Modernism: Dancers and Painters
2004
Bradley Bailey, Duchamp's Chess Identity: 1916-1923
2005
Jennifer Finkel,
Michelangelo at San Lorenzo: The Tragedy of the Façade
Amy Gilman, Organizing Art: Information Theory and Conceptual Art - A Case Study of the "Xeroxbook” Exhibition
Susan Martis, Famous and Forgotten: Rodin and Three American Contemporaries
2007
Karen Edwards, Rethinking the Reinstallation of the Studiolo of Francesco I de' Medici in the Palazzo Vecchio
Aimee Marcereau DeGalan, Dangerous Beauty: Painted Canvases and Painted Faces in Eighteenth-Century Britain
Michael Weil, Stieglitz's Dream, O'Keefe's Reality: The Stieglitz Collections in American Museums
2008
Jenni Drozdek, Life and Chimera: Framing Modernism in Poland
Total Ph.D. Degrees - 72
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